User manual RICOH CAPLIO RR10
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Manual abstract: user guide RICOH CAPLIO RR10
Detailed instructions for use are in the User's Guide.
[. . . ] This manual explains the correct handling procedures and precautions for your camera. To ensure the best performance, please read the manual thoroughly before using the camera. Ricoh Co. , Ltd.
Test Shots
Check that your camera is recording the images correctly by taking a number of test shots.
Copyright
Reproduction or alteration of copyrighted documents, magazines, music and other materials, other than for personal, home or similarly limited purposes, without the consent of the copyright holder is prohibited.
Exemption from Liability
Ricoh Co. , Ltd. assumes no liability for failure to record or play back images caused by malfunction of this product.
Warranty
This product is manufactured to local specifications and the warranty is valid within the country of purchase. [. . . ] If there is a significant difference in brightness between the background and the subject, however, the subject tends to be under- or over-exposed. You can also use exposure compensation to produce intentionally under- or over-exposed pictures.
Exposure Compensation Range
±2. 0EV (set in steps of 0. 5EV)
Important
Shooting against the Light
A very bright background will make the subject appear underexposed. Set the exposure compensation level to a positive (+) value to adjust the exposure.
· If the subject is not centered in the shooting range when taking a picture against the light, the camera will not assume that the subject is in a backlit state. Exposure compensation is required in this situation.
Shooting a White Subject
If you shoot a subject that is mainly white, the shot will be under-exposed overall, with people appearing dark and white objects appearing grey. Set the exposure compensation level to a positive (+) value to adjust the exposure.
Shooting a Black Subject
If you shoot a subject that is mainly black, the shot will be overexposed overall, with people appearing white and black objects appearing grey. Set the exposure compensation level to a negative (-) value to adjust the exposure. Follow the same procedure when shooting a person under a spotlight.
1
Set the mode dial to [ , , and press the MENU button.
or
]
52
2
Check that has been selected and press the ENTER button.
+/--
Note
· If has not been selected, press the or button to select the setting.
3
SHOOTING
MENU
3
Press the or button to select the compensation level and press the ENTER button.
+/-- + 1. 0 + 0. 5 0. 0 -- 0. 5 -- 1. 5 MENU
4
Press the shutter release button.
Note
25 N 1600 EV+0. 5
Exposure Compensation value display
· Enable the keep settings mode to save the exposure compensation setting. See "Keep Settings" (p. 96).
2001/07/15 11:25
53
White Balance
The white balance mode adjusts the white balance so that you can capture your subject in its natural colours regardless of the light source. The auto mode automatically adjusts the white balance based on the white areas, ensuring that white is reproduced as white regardless of the light source. Consequently, a subject that lacks white areas or that is dominated by dark tones may not achieve an appropriate white balance. Change the white balance mode to shoot such subjects.
Display
No display
Mode name
Auto Daylight
Description
The camera automatically adjusts the white balance. Use this mode outdoors when the white balance is difficult to achieve. Use this mode in cloudy weather or in the shade when the white balance is difficult to achieve.
Overcast
Use this mode to shoot subjects under Tungsten light tungsten light when the white balance is difficult to achieve. Fluorescent light Use this mode to shoot subjects under fluorescent light when the white balance is difficult to achieve.
· The default setting is auto mode.
Subjects difficult to correct in auto mode · Monochrome subjects · Subjects lit by multiple light sources
1 2
Set the mode dial to [ , press the MENU button. Press the button to select press the ENTER button.
or
] and and
WHITE BALANCE
MENU
54
3
Press the or button to select the white balance (auto, daylight, overcast, tungsten or fluorescent) and press the ENTER button.
WHITE BALANCE AUTO DAYLIGHT OVERCAST TUNGSTEN FLORCNT. MENU
3
SHOOTING
4
Press the shutter release button.
Note
25 N 1600
· Enable the keep settings mode to save the white balance setting. See "Keep Settings" (p. 96).
2001/07/15 11:25
Note
Important
· In auto mode, subjects lacking white areas may not achieve an appropriate white balance. · The flash will not fire in daylight, overcast, tungsten and fluorescent light modes.
· Even with the same subject, the colours may vary due to the weather conditions and light source (tungsten or fluorescent lighting).
Macro Mode
Macro mode allows you to take close-up pictures of a subject. Use macro mode when the distance to the subject is less than about 40cm in Tele mode and 14cm in Wide mode.
Note
1
Set the mode dial to [ , , and press the MENU button.
or
]
· By using macro mode, you can record images at a distance of up to about 4cm from your subject.
55
2
Press the button to select press the ENTER button.
MACRO MODE
and
MENU
3
Note
· To cancel macro mode, select [OFF].
Press the or button to select [ON] and press the ENTER button.
MACRO MODE
ON OFF MENU
4
Press the shutter release button.
Macro mode display
T
25 N 1600
W
2001/07/15 11:25
Important
· The focusing range is so small in macro mode that the focus can be lost if the camera is moved. Make sure that the camera is firmly positioned to keep it steady when shooting.
56
Images with Voice Memo
You can record 10 seconds of voice memo with still picture and text images. This mode enables you to add a comment to go with the image.
Important
1 2
Set the mode dial to [ MENU button.
] and press the and
· The microphone is located on the top left of the operating parts. Aim the camera to obtain the optimum recording conditions.
3
SHOOTING
Press the button to select press the ENTER button.
MODE SETTING
MENU
3
Press the or button to select [IMG. [. . . ] 116
127
Functional Index
I Recording Mode [
+/--
Exposure compensation (p. 52) White balance (p. 54) Macro mode (p. 55)
·
·
·
·
]
MENU
MODE SETTING
1/2
IMG. W/SOUND (p. 57) FOCUS (p. 58) DATE IMPRINT (p. 60) ISO SETTING (p. 61) REDEYE REDUC (p. 62)
IMG. W/SOUND OFF FOCUS AF DATE IMPRINT Y/M/D ISO 200 ISO SETTING ON REDEYE REDUC BACK:CANCEL SELECT: MODE SETTING TIME EXP. (p. 64)
BACK:CANCEL SELECT: MODE SETTING FOCUS DATE IMPRINT ISO SETTING BRIGHT CNTRL AF Y/M/D ISO 200 0
BRIGHT CNTRL (p. 65) (Text mode only)
BACK:CANCEL SELECT:
128
I Play Mode [
]
Delete single file (p. 93) Thumbnail (p. 76) Zoom playback (p. 77) Protect (p. 78)
MODE SETTING
MENU MODE SETTING AUTO PLAY DPOF DELETE ALL VOICE MEMO BACK:CANCEL SELECT:
AUTO PLAY (p. 81) DPOF (p. 82) DELETE ALL (p. 94) VOICE MEMO (p. 87)
I SETUP Mode [
SET UP FORMAT KEEP SETTING DIGITAL ZOOM LCD CONFIRM. [. . . ]
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