User manual YAMAHA DSP-A1092
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YAMAHA DSP-A1092 戵־ (1117 ko)
Manual abstract: user guide YAMAHA DSP-A1092
Detailed instructions for use are in the User's Guide.
[. . . ] NATURAL SOUND
AV AMPLIFIER
DSPA1092
CINEMA DSP 7ch
VOLUME
l6
VCR 2
VCR 1
DVD/LD
28
20
l2
8
POWER
VIDEO AUX
TAPE (MD)
TV/DBS
40
4
TUNER
PHONO
CD
60
2
0 dB
l
0
l 2 3 4 2 3 4
l
0
l 2 3 4
2 3 4
l
0
SOURCE
l 2 3 4
DVD/LD TV/DBS VCR 1 VCR 2 VIDEO AUX
TAPE (MD) TUNER CD PHONO
ON
OFF
2 3 4
PROGRAM
EFFECT
A
B
5
5
5
5
L5
5R
PHONES
SPEAKERS
BASS TONE EXTENSION BYPASS
SET MENU
DELAY/C/R /F/SWFR
S VIDEO
VIDEO
L AUDIO R
BASS
TREBLE
BALANCE
REC OUT
VIDEO AUX
Natural Sound AV Amplifire Amplificateur audiovisuel "Son Naturel" Natural Sound AV-Verstärker Natural Sound AV-förstärkare Amplificatore AV a suono naturale Amplificador AV de Sonido Natural Natural Sound AV Versterker
OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING
Congratulations!
You are the proud owner of a Yamaha Digital Sound Field Processing (DSP) System--an extremely sophisticated audio component. The DSP system takes full advantage of Yamaha's undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and the DSP system will sonically transform your room into a wide range of listening environments--anything from a famous concert hall to a cozy jazz club. In addition, you get incredible realism from Dolby-Surround encoded video sources using the built-in Dolby Pro Logic Surround Decoder and Dolby Digital (AC-3) Decoder. [. . . ] Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital (AC-3) technology can bring the original sound track into a home audio format with this wide dynamic range unchanged. In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the original sound track's wide dynamic range providing you with powerful sounds like a movie theater. Selecting this position will be more ideal if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment. STD (Standard): Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not possible to increase the sound output level as high as a movie theater, however, in a level proper for listening to in your room, the low level parts of source sound cannot be heard as well because they will be lost among noises in your environment. Dolby Digital (AC-3) technology also makes it possible to reduce an original sound track's dynamic range for a home audio format by "compressing" the data. In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the "compressed" dynamic range of the source suitable for low level listening. MIN: In this position, dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source in extremely low level.
36
English
3. LFE LEVEL (Adjusting the output level at the LFE (low frequency effect) channel)
Control range: 20 dB to 0 dB (in 1 dB step) Preset value: 0 dB * This adjustment is effective only when the Dolby Digital (AC-3) is decoded and the signals of selected source encoded with the Dolby Digital (AC-3) contain LFE signals.
8. INPUT MODE (Selecting the initial input mode of the sources connected to the TV/DBS input jacks)
For the sources connected to the TV/DBS input jacks of this unit only, you can designate the input mode that is automatically selected when the power of this unit is switched on. AUTO: In this position, the AUTO input mode is always selected when the power of this unit is switched on. LAST: In this position, the input mode you have selected last time is memorized and will not be changed even if the power of this unit is switched on. * See page 39 for details about switching the input mode.
Adjusts the output level at the LFE (low frequency effect) channel. If the LFE signals are mixed with signals at other channels to output them from the same speakers, the ratio of LFE signal level to the level of other signals are adjusted. (Once you have selected proper modes, you do not have to make a setting change until any alteration is made in your speaker system. )
37
GENERAL OPERATION
PLAYING A SOURCE
NOTE: If you will use the remote control unit, be sure to use it with the lid open. Set the master VOLUME control to minimum.
Front panel
VOLUME
l6 20 l2
* To change the input mode for the DVD/LD or TV/DBS source, press the input selector button for the currently selected source once or more until the desired input mode (AUTO or ANALOG) is shown on the display panel. (See page 39 for details on switching the input mode. )
Front panel
VCR 1 DVD/LD
DVD/LD
Remote control
or
TAPE (MD) TV/DBS
8
28
40
4
60
2
0 dB
2. The selected source is shown by the display panel and the monitor screen. For the DVD/LD or TV/DBS source, its current input mode is also shown.
Front panel
VCR 1 DVD/LD
DVD/LD
40 4
5. Increase the setting of the master VOLUME control to your listening level.
Front panel
VOLUME
l6 20 l2
Remote control
MASTER VOLUME
Remote control
28
8
or
MUTE
or
60 2
TAPE (MD)
TV/DBS
0 dB
Adjust the BASS, TREBLE, BALANCE controls, etc. , or select a desired sound field program. [. . . ] 110 mV or more Output Level/Impedance REC OUT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 mV/2. 7 k PRE OUT MAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1V/1. 2 k SUBWOOFER (MAIN SPEAKERS: SMALL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4. 0V/1. 2 k Headphone Jack Rated Output/Impedance Output Level (CD Input 150 mV, RL=8). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]
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