User manual YAMAHA EMX2000
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Manual abstract: user guide YAMAHA EMX2000
Detailed instructions for use are in the User's Guide.
[. . . ] Owner's Manual
INPUT MIC MIC MIC MIC MIC MIC MIC MIC 9L
B
OUTPUT 11 L
B
FOOT SW
L TAPE
L REC 10dBV R L
(MONO)
L
R ST 1
+4dB
10 R
B
12 R
B
R L
(MONO)
L
R ST 2
+4dB MONI 2 +4dB
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
9L
(MONO) A
11 L
(MONO) A
MONI 1
MONO +4dB
INS I/O
INS I/O
INS I/O
INS I/O
0dB INSERT I/O
10 R
A
12 R
A
1
2
3
4
5
OUT IN
6
7
8
9/10
11/12
R ST SUB 1
+4dB
R ST SUB 2
+4dB
L
BRIDGE
R
PAMP IN
EFFECT +4dB PHONES/ C-R OUT (+4dB)
+4dB
EEEngine
A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN
A B GAIN MONI 1 ST
TAPE IN
L POWER AMP R LIMITER
PEAK +8 +5 +4 +3 +1
POWER
LEVEL +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 16 16 16 16 16 16 16 16 60 60 60 60 60 60 60 60 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH 34 +10 PEAK HIGH 34 0 MONI 2 PFL 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 ST 0 10 MONI 1 MONI 2 10 0 10 +18 +4 L/BRIDGE ST L MONI 1 +18
PHANTOM
(+48V) ON OFF PHONES/C. R. OUT
ST R MONO
0 1 3 5 7 10 15 20
MONO BRIDGE ST
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
0
10
0
10
0
10
0
10
L
0 ST 2
R
10
PFL
ON
DIGITAL EFFECT
15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 ST SUB 1 MONI 1
5 4 3 6 789 10 11 12 13 14 PROGRAM 1 VOCAL ECHO 1 2 VOCAL ECHO 2 3 VOCAL ECHO 3 4 VOCAL ECHO 4 MIN MAX
ST1
5 VOCAL REVERB 1 9 HALL 1 6 VOCAL REVERB 2 10 HALL 2 7 VOCAL REVERB 3 11 HALL 3 8 VOCAL REVERB 4 12 ROOM
0
13 PLATE 1 14 PLATE 2 15 PLATE 3
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
2
1 16 15
16 GATE REVERB
125
250
500
1k
2k
4k
8k
+12 6 0 6 12 ON
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10 ST
0
10
+12 6 0
0 PAN
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 BAL
0
10 BAL
0
10
0
10
6 12
PFL
GRAPHIC EQUALIZER
L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL ST SUB 2 AFL AFL AFL AFL AFL
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
1
2
3
4
5
6
7
8
9/10
11/12
MONI 1
MONI 2
EFFECT
ST 1
MONO
E
FCC INFORMATION (U. S. A. )
1. This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. [. . . ] Avoid such a situation.
EMX2000--Owner's Manual
8
U LEVEL controls
These knobs enable you to adjust the level of the signals input from the mixer section to the power amp section. If an external piece of equipment is connected to the P. AMP IN jacks (input/output panel 6), these knobs adjust the input sensitivity of the power amp (the input level that will provide the maximum output level in the power amp section). The sensitivity range is +18 dB~+4 dB, and rotating the knobs clockwise raises the input sensitivity. Note: If the Power amp select switch V is set to MONO BRIDGE, only the L/BRIDGE LEVEL control becomes effective.
s Other indicators and controls
PEAK +8 +5 +3 +1
X
POWER PHANTOM
(+48V) ON OFF PHONES/C. R. OUT
W
0 1 3 5 7 10 15 20
L R
Y
Z
0 ST 2 10
ST1
[
0 10
W Peak level indicator
This indicator allows you to monitor the level of the signal output from the ST 1 jacks. The "0" indicator lights up when the ouput level reaches +4 dB.
X POWER indicator
This indicator will light up when the power of the EMX2000 is turned on.
V Power amp select switch
Select one of the following three settings to specify the signals to be routed to the corresponding jacks according to the speaker connection at the SPEAKER jacks 1 on the rear panel. · ST L-ST R The STEREO bus signals are output from the SPEAKERS L 1/2 jacks and the SPEAKERS R 1/2 jacks. The final level of these signals is adjusted by the master ST 1 fader. · MONI 1-MONO The MONITOR 1 bus signals are output from the SPEAKERS L 1/2 jacks, and a monaural signal that is a mix of the STEREO bus signals is output from the SPEAKERS R 1/2 jacks. The final level of these signals is adjusted by the master MONI 1 fader and the MONO fader. · MONO BRIDGE The monaural signal that is a mix of the STEREO bus is output from the BRIDGE jack. Set the switch to this position when you connect only one speaker to play a loud sound.
Y PHANTOM (+48V) switch and indicator
This switch turns the phantom power supply on/ off for the MIC input jacks for channels 1~8. When this switch is on, the indicator lights up.
Z PHONES/C. R. OUT (headphones/control
room out) control This knob adjusts the level of the signal monitored via the PHONES/C-R OUT jack (input/ output panel B).
[ ST 2 (stereo 2) control
This knob adjusts the final level of the signal sent from the STEREO bus to the ST 2 jacks (input/ output panel 8). Note: The setting of this control does not affect signals that are sent from the STEREO bus to the ST 1 jacks and the SPEAKERS jacks.
EMX2000--Owner's Manual
9
Input/output panel
57
INPUT MIC MIC MIC MIC MIC MIC MIC MIC 9L
B
8C
FOOT SW
OUTPUT 11 L
B
L TAPE
L REC 10dBV R L
(MONO)
L
R ST 1
+4dB
1
LINE LINE LINE LINE LINE LINE LINE LINE INS I/O INS I/O INS I/O INS I/O
0dB INSERT I/O
10 R
B
12 R
B
R L
(MONO)
L
R ST 2
+4dB MONI 2 +4dB
0
MONO +4dB
9L
(MONO) A
11 L
(MONO) A
MONI 1
A
10 R
A
12 R
A
R ST SUB 1
+4dB
R ST SUB 2
+4dB
L
BRIDGE
R
PAMP IN
EFFECT +4dB PHONES/ C-R OUT (+4dB)
1
2
3
4
5
OUT IN
6
7
8
9/10
11/12
+4dB
2 1 Channel input jacks (MIC, LINE) 1~8
These are the input jacks for channels 1~8. By using the GAIN control (control panel 1) you can connect any of the jacks to a wide range of sources, from mics to line-level devices (including synthesizers and rhythm machines). The MIC jacks can provide +48V phantom power, allowing you to use condenser microphones. They are compatible with microphones of output impedance 50~600 or line level devices of 600. The nominal input level is 34 dB~+10 dB for the LINE jacks, and 60 dB~16 dB for the MIC jacks. Pin connections for the MIC and LINE jacks are as follows:
MIC jacks (XLR type) LINE jacks (TRS phone jacks) *
3
4
6
9B
Note: It is not possible to simultaneously use both the MIC and LINE inputs of a given channel. For each channel, use only one of the inputs as appropriate for the input source. For this reason, devices (in particular, unbalanced devices) other than condenser microphones must be connected to the LINE jacks of channels 1~8 or channel 9/10~11/12 input jacks if the PHANTOM +48V switch (control panel Y) is on.
2 INS I/O (insert) jacks 1~4
These are TRS phone jacks that enable you to insert an external effect processor, such as a compressor/limiter, between the equalizer and fader of input channels 1~4. These connections require a special "Y" cable, such as shown in the following diagram. The nominal input/output levels are 0 dB.
to the input jack of the external processor to the INS I/O jack
Sleeve Tip
Pin 1: ground Pin 2: hot (+) Pin 3: cold ()
Sleeve: ground Tip: hot (+) RIng: cold ()
* You can also connect a normal unbalanced phone plug.
S
RT Sleeve Ring Tip
+ - GND
GND -
+
to the output jack of the external processor
EMX2000--Owner's Manual
10
3 Channel input jacks 9~12A
Channel input jacks 9~12B These are the input jacks for channels 9/10~11/12 and are used to connect to the stereo output jacks of electronic instruments, cassette decks, or CD players. [. . . ] However in this case, make sure that the EFFECT controls are turned all the way down for the channels into which the effect sound is being input. If the EFFECT controls are raised, feedback will occur, and your speakers may be damaged.
D. I. *
* Direct box, effect unit, D. I. * pre-amp, etc.
INPUT OUTPUT MIC MIC MIC MIC 9L
B FOOT SW
MIC
MIC
MIC
MIC
11 L
B
L TAPE
L
L
R ST 1
+4dB
10 R
B
12 R
B
R L
(MONO)
L R L
(MONO) MONI 1
R ST 2
+4dB MONI 2 +4dB
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
9L
(MONO) A
11 L
(MONO) A
MONO +4dB
88
EFFECT +4dB PHONES/ C-R OUT (+4dB)
INS I/O
INS I/O
INS I/O
INS I/O
0dB INSERT I/O
10 R
A
12 R
A
R ST SUB 1
+4dB
R ST SUB 2
+4dB
L
BRIDGE
R
PAMP IN
1
2
3
4
5
OUT IN
6
7
8
9/10
11/12
+4dB
EEEngine
Effect processor
A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN
A B GAIN MONI 1 ST
TAPE IN
L POWER AMP R LIMITER
PEAK +8 +5 +4 +3 +1
POWER
LEVEL +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 16 16 16 16 16 16 16 16 60 60 60 60 60 60 60 60 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH 34 +10 PEAK HIGH 34 0 MONI 2 PFL 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 ST 0 10 MONI 1 MONI 2 10 0 10 +18 +4 L/BRIDGE ST L MONI 1 +18
PHANTOM
(+48V) ON OFF PHONES/C. R. OUT
ST L MONI 1
ST R MONO
ST R MONO
0 1 3 5 7 10 15 20
MONO BRIDGE ST
MONO BRIDGE
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
0
10
0
10
0
10
0
10
L
0 ST 2
R
10
PFL
ON
DIGITAL EFFECT
15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 ST SUB 1 MONI 1
5 4 3 6 789 10 11 12 13 14 PROGRAM 1 VOCAL ECHO 1 2 VOCAL ECHO 2 3 VOCAL ECHO 3 4 VOCAL ECHO 4 MIN MAX
ST1
5 VOCAL REVERB 1 9 HALL 1 6 VOCAL REVERB 2 10 HALL 2 7 VOCAL REVERB 3 11 HALL 3 8 VOCAL REVERB 4 12 ROOM
0
13 PLATE 1 14 PLATE 2 15 PLATE 3
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
2
1 16 15
16 GATE REVERB
125
250
500
1k
2k
4k
8k
+12 6 0 6 12 ON
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10 ST
0
10
+12 6 0
0 PAN
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 BAL
0
10 BAL
0
10
0
10
6 12
PFL
GRAPHIC EQUALIZER
L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL ST SUB 2 AFL AFL AFL AFL AFL
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
1
2
3
4
5
6
7
8
9/10
11/12
MONI 1
MONI 2
EFFECT
ST 1
MONO
L1
L2
SPEAKERS jacks
R1
R2
Monitor speakers Main speakers
EMX2000--Owner's Manual
15
As a conference/entertainment hall sound system
Here is an example of using the EMX2000 as a conference or entertainment hall sound system.
Cassette recorder (for paly back) Cassette recorder (for recording)
Microphone CD player Effect processor
88
INPUT MIC MIC MIC MIC MIC MIC MIC MIC 9L
B
OUTPUT 11 L
B
FOOT SW
L TAPE
L
L
R ST 1
+4dB
10 R
B
12 R
B
R L
(MONO)
L R L
(MONO) MONI 1
R ST 2
+4dB MONI 2 +4dB
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
9L
(MONO) A
11 L
(MONO) A
MONO +4dB
INS I/O
INS I/O
INS I/O
INS I/O
0dB INSERT I/O
10 R
A
12 R
A
1
2
3
4
5
OUT IN
6
7
8
9/10
11/12
R ST SUB 1
+4dB
R ST SUB 2
+4dB
L
BRIDGE
R
PAMP IN
EFFECT +4dB PHONES/ C-R OUT (+4dB)
+4dB
EEEngine
A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN
A B GAIN MONI 1 ST
TAPE IN
L POWER AMP R LIMITER
PEAK +8 +5 +4 +3 +1
POWER
LEVEL +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 34 +10 16 16 16 16 16 16 16 16 60 60 60 60 60 60 60 60 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH 34 +10 PEAK HIGH 34 0 MONI 2 PFL 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 15 MID +15 ST 0 10 MONI 1 MONI 2 10 0 10 +18 +4 L/BRIDGE ST L MONI 1 +18
PHANTOM
(+48V) ON OFF PHONES/C. R. OUT
ST L MONI 1
ST R MONO
ST R MONO
0 1 3 5 7 10 15 20
MONO BRIDGE ST
MONO BRIDGE
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
15 LOW
+15
0
10
0
10
0
10
0
10
L
0 ST 2
R
10
PFL
ON
DIGITAL EFFECT
15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 15 MONI 1 +15 ST SUB 1 MONI 1
5 4 3 6 789 10 11 12 13 14 PROGRAM 1 VOCAL ECHO 1 2 VOCAL ECHO 2 3 VOCAL ECHO 3 4 VOCAL ECHO 4 MIN MAX
ST1
5 VOCAL REVERB 1 9 HALL 1 6 VOCAL REVERB 2 10 HALL 2 7 VOCAL REVERB 3 11 HALL 3 8 VOCAL REVERB 4 12 ROOM
0
13 PLATE 1 14 PLATE 2 15 PLATE 3
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
0 MONI 2
10
2
1 16 15
16 GATE REVERB
125
250
500
1k
2k
4k
8k
+12 6 0 6 12 ON
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10
0 EFFECT
10 ST
0
10
+12 6 0
0 PAN
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 PAN
0
10 BAL
0
10 BAL
0
10
0
10
6 12
PFL
GRAPHIC EQUALIZER
L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL ST SUB 2 AFL AFL AFL AFL AFL
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
5 10 15 20 25 30 40 50
1
2
3
4
5
6
7
8
9/10
11/12
MONI 1
MONI 2
EFFECT
ST 1
MONO
L2
L1
SPEAKERS jacks
R1
R2
Main speakers
s Connections
· Connect mics to channel inputs 1~8. · A CD player/LD player/cassette deck can also be connected to the input jacks of channels 9/10 and 11/12. · To record a meeting or a party, connect the REC jacks of the EMX2000 to the input jack of a recording cassette deck, and to monitor the recording on the EMX2000, connect the TAPE jacks of the EMX2000 to the output of the recording cassette deck. [. . . ]
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