Detailed instructions for use are in the User's Guide.
[. . . ] OWNER'S
MANUAL
EN
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. [. . . ] The default setting of CM7 (with a Play Root of "C" and a Chord Type of "M7"), is automatically selected whenever the preset data is deleted prior to recording a new Style, regardless of the Source Root and Chord included in the preset data. When you change Source Root/Chord from the default CM7 to another chord, the chord notes and recommended notes will also change, depending on the newly selected chord type. When the Play Root is C:
CM CM 6 CM 7 CM 7 (#11)
C CRC CR CRC CCR CRC CRC CRC CRC CCC CR CCC CRC CCC CCR
CM add9
CM 7 (9)
C 6 (9)
Using, Creating and Editing the Auto Accompaniment Styles
Caug
RCR CRC
Cm
C CR RC
Cm 6
C CR RCC
Cm 7
C C RC C
Cm 7 b5
RC C CRC R
Cm (9)
C CC RC
Cm 7 (9)
C CC RC C
Cm 7 (11)
C CR CC C
CmM 7
C CR RC C
CmM 7 (9)
C CC RC C
Cdim
C C R CR
Cdim 7
C CR R CR CR
C7
C C C C
C 7 sus4
C C CC
C 7 b5
C CRC C
C 7 (9)
C CCC C
C 7 (#11)
C CRC CR C
C 7 (13)
C CRC CC
C 7 (b9)
C C C C C
C 7 (b13)
R C CRC CC
C 7 (#9)
C C C R C C
CM 7 aug
C CRCR RC
C 7 aug
RCC CRC
C 1+8
C 1+5
Csus 4
C 1+2+5
C
C
C
CR
CC
CCR
CR
C = Chord notes
C, R = Recommended notes
NTR (Note Transposition Rule) This determines the relative position of the root note in the chord, when converted from the Source Pattern in response to chord changes.
ROOT TRANS (Root Transpose) When the root note is transposed, the pitch relationship between notes is maintained. For example, the notes C3, E3 and G3 in the key of C become F3, A3 and C4 when they are transposed to F. For example, the notes C3, E3 and G3 in the key of C become C3, F3 and A3 when they are transposed to F. Use this setting for channels that contain chord parts.
When playing a C major chord.
When playing an F major chord.
ROOT FIXED
When playing a C major chord.
When playing an F major chord.
PSR-S900/S700 Owner's Manual
129
Style Creator
NTT (Note Transposition Table) This sets the note transposition table for the source pattern.
BYPASS When NTR is set to ROOT FIXED, the transposition table used does not do any note conversion. When NTR is set to ROOT TRANS, the table used only converts the root note. Use this for the Chord 1 and Chord 2 channels, especially when they contain piano or guitar-like chordal parts. When the played chord changes from a major to a minor chord, this table lowers the third interval in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third interval is raised by a semitone. Use this for melody channels of Sections which respond only to major/minor chords, such as Intros and Endings. In addition to the Melodic Minor transposition above, augmented and diminished chords affect the 5th note of the Source Pattern. When the played chord changes from a major to a minor chord, this table lowers the third and sixth intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and flatted sixth intervals are raised by a semitone. Use this for chord channels of Sections which respond only to major/minor chords, such as Intros and Endings. In addition to the Harmonic Minor transposition above, augmented and diminished chords affect the 5th note of the Source pattern. When the played chord changes from a major to a minor chord, this table lowers the third, sixth and seventh intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third, flatted sixth and flatted seventh intervals are raised by a semitone. Use this for chord channels of Sections which respond only to a Major/minor chord such as Intros and Endings. In addition to the Natural Minor transposition above, augmented and diminished chords affect the 5th note of the Source pattern. When the played chord changes from a major to a minor chord, this table lowers the third and seventh intervals in the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and flatted seventh intervals are raised by a semitone. [. . . ] Tel: 714-522-9011
FRANCE
Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000
HONG KONG
Tom Lee Music Co. , Ltd. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
ITALY
Yamaha Musica Italia S. P. A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
INDONESIA
PT. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S. A. [. . . ]